The three magical passes of the third group deal with the energy that is directly on the area of the womb. This emphasis makes these three magical passes extraordinarily potent. Moderation is strongly recommended in order to bring the sensations of awakening the womb to a manageable level. In this fashion the linear-minded interpretation of these sensations as premenstrual pangs or heaviness on the ovaries can be avoided.
Don Juan Matus told his three female disciples that the secondary functions of the womb, upon being awakened by the appropriate magical passes, give the sensorial input of discomfort, but that what takes place at an energetic level is the influx of energy into the vortex of the womb. Energy which has, up to this point, remained unused and on the periphery of the luminous sphere is suddenly dropped into that vortex.
5. Packing Energy on the Womb
The first magical pass begins by bringing the two hands to the area of the womb. The wrists are bent sharply, and the hands are cupped, the fingers pointing to the womb.
The two hands are extended so that the tips of the fingers point toward
each other. Then they make an ample circle, first going upward and out,
and then down, with both hands together, ending right over the womb (fig.
107). Next, the hands separate to the width of the body (fig. 108), and
are brought forcefully toward the center of the womb as if a thick ball
were being squashed. The same movement is repeated, and the hands are brought
closer together, as if the ball were being further squashed. Then it is
torn apart by a powerful movement of the hands, which grab and rip (fig.
109). The hands are then brushed over the area of the uterus and the ovaries.
6. Stirring and Guiding Energy Directly into the Womb
This magical pass begins with an exhalation as the arms are stretched
out in front of the body, with the backs of the hands touching. A deep
breath is taken as the arms move laterally away from each other, drawing
half-circles which end with the forearms touching in front of the body
at the level of the chest, and the arms extended forward with the elbows
slightly bent. The palms face up. Then the trunk bends forward slightly
as the forearms move backward so that the elbows are moored on the solar
plexus with the forearms still touching, side by side (fig. 110). Next,
a slow exhalation begins, which must last through the following movements:
The back side of the left wrist is placed on top of the inner side of the
right wrist, maneuvering the arms to make the figure of the letter X; the
wrists rotate so that the palms circle in toward the body, and then back
out to face front, without losing the X shape of the wrists; the left hand
ends up on top of the right one (fig. 111). The hands are made into fists
and separated vigorously (fig. 112), and then brought to the area of the
left and right ovaries as the exhalation ends.
7. Squeezing Out Injurious Energy from the Ovaries
The left hand is held in front of the body with the palm up. The elbow is bent at a right angle and tucked against the rib cage. The index and middle fingers of the left hand are extended while the thumb holds the other two fingers against the palm. The two extended fingers of the left hand are grabbed from underneath by the right hand, and squeezed as if drawing something from the base of the two extended fingers of the left hand and making it move to the tips (fig. 113). Then the right hand shakes vigorously whatever it drew from those two fingers with a backhanded, downward striking motion on the right side of the body. The left thumb releases the other two fingers, and the hand is held in a letter V shape, with the index and middle fingers together, and the fourth and fifth fingers together. The palm of the hand is lightly brushed over the area of the left ovary. The same movements are repeated with the right hand.
For the second part of this magical pass, the trunk is bent sharply
for, ward. The left arm hangs in between the legs, the elbow cushioned
against the umbilical region. Exactly the same movements performed in the
first part of the magical pass are executed again, except this time the
two extended fingers of the left hand are grabbed by the right hand from
above (figs. 114, 115). The same movements are repeated on the right.